FUNZIONI D’ONDA, 018-010 2018

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From a very young age, Akelo focusses on art, Greek – Latin literature, and alchemical texts, and above all on ancient technologies concerning ceramics, medicine, and the processing of glass stones and fabrics and, in particular, metallurgy. How, moreover, his creations testify: from precious jewels made with Etruscan goldsmithing techniques and composed of thousands of infinitesimal pieces, to steel sculptures, which now praise classicism, now to the most daring abstraction. Extremely different works – confirming an eclecticism and a breadth of vision that are rare on the contemporary art scene – but permeated by a single goal: the search for Beauty and Harmony. Research that, in recent times, Akelo has been leading towards Science and that has been allowing him to enter a new phase of his production.
His plastic research tends to develop in the context of figuration, where his sculpture is released from the concept of statuary. Freed from the yoke of the mass, Akelo’s sculptures develop into dynamic and airy volumes interpenetrated by light, in dialectic and osmotic relationship with the space that contains them. Akelo realizes his works using basic modular elements: he segments metal tubes and welds the resulting pieces, sometimes objectifying them chromatically. Akelo, in the wake of Leibniz’s thought, believes that the constitutive elements of everything, and therefore of all manifested matter (and not only), are a simple monad or a group of monads. Akelo’s sculptures, both anthropomorphic and those depicting “cosmic” gears, remind us that we are made of the same substance as dreams and stars.

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